LIN CHUN-TA
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Born in 1997 in Taipei, Taiwan, Lin Chun-Ta received his MFA from Taipei National University of the Arts. His work focuses on the concepts of “boundary” and “ambiguity,” drawing inspiration from everyday phenomena and ordinary objects. Through a diverse range of methodologies and media, he explores the nature and conditions of art.

 

Recognizing that most phenomena possess ambiguous qualities, Lin Chun-Ta primarily approaches his artistic practice from a stance of "doubt." He believes that in an era where virtually anything has the potential to become art, there is instead a critical need to formulate a methodology that continuously examines these phenomena from a structural perspective, acknowledging how profoundly human perception is shaped by habit and environment.

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Perhaps it is only by attempting to render things precise that one can come to realize how a binary, black-and-white logic fails to reflect their true state. Just as questioning the fundamental nature of art is essential to advancing a deeper grasp of its subjectivity, this inquiry forms the very reason why Lin attempts through his creative work to explore the contradictory yet mutually circulatory relationship between boundary and ambiguity.

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Recent solo exhibitions include Orogeny Art Space, Frontier, and Hsinchu City Art Site of Railway Warehouse. Selected group exhibitions have been held at WMM Art Space, Mizuiro Workshop, Zit-Dim Art Space and National Taiwan Museum of Fine Arts.
 

His work has received several recognitions, including selection for the Taiwan Emerging Art Awards, the First Prize of Next Art Tainan, selection for the National Art Exhibition R.O.C., the Second Prize of the Contemporary Sculpture Lih Pao Prize, and the Second Prize of the NKUST Young Artist Collections Open Call.

林君達
 
1997年出生於臺灣臺北，畢業於國立臺北藝術大學美術學系碩士班，生活、創作於臺北。其致力於複合媒材各種形式的創作，作品脈絡多發想自對「邊界」和「模糊」的理解以及日常生活中平凡的材料與現象，並透過不同創作手法和多元媒材的互動，思考藝術的本質。

 

林君達意識到多數事物都具有曖昧不明的特質，因此他的創作主要是以「懷疑」的立場出發。林君達認為在任何事物都有化作藝術的可能性的時代，反而需要創造一套方法持續地從結構性的角度對其進行探討，有鑒於慣性、環境會對人類的認知產生相當程度的影響。

 

也許嘗試讓事物變得精準，才有可能意識到非黑即白的邏輯無法反映其真實的狀態，如同對藝術進行本質性的提問，才有可能更近一步地掌握它的主體性，同時也是林君達試圖透過創作，探討邊界和模糊兩相矛盾，卻又彼此循環的原因。

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近期個展於噪山藝術空間、邊境黑白切、新竹市鐵道藝術村，聯展於未命名藝術空間、水色藝術工坊、節點藝術空間以及國立臺灣美術館等地。作品曾獲得臺灣美術新貌獎入選、臺南新藝獎、全國美術展入選、當代雕塑麗寶創作獎特獎以及國立高雄科技大學青年藝術家典藏徵件典藏獎等。